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Propop :: The Souls of Hip Hop

The souls of Hip Hop......


Hip Hop.....
Many have tried to define it but seem to always limit it's limitless non existant boundaries....
Can one define the universe or thought or karma??? I think not.
If you are to think of a raw but tastefull gubo...think Hip Hop.
But let's take it back...a little way back to the early early seventies......The Bronx...U.S.A...
When and where there were little hole in the wall spots like The House Of Soul....and The Rat Hole...which up and coming original and influential (B'boys) dance fanatics made their forums for floor freakery.
When partying had no M.C.s nor title for it's genre to be.
Inspired by their older sibblings house party antics....radio jocks of their era and the incredible dancers of the late 30's and after party freaks and the super party fanatics were coming into their own.
By the mid seventies the next stage were spots like the Bronxes Plaza Tunnel where D.J. John Brown did his thing as well as The Puzzle...and later Soulseville all located in the western hem isphere of the Bronx.

There was a different atmoshere that existed here.
Whereas the mobile but still influential D.J.s(such as Pete D.J. Jones, The Smith Brothers, Plummer, Grandmaster Flowers, Maboya, Ripp and Cliff ) played more commercial radio familiar music the D.J.s here played popular in demand tunes as well as whatever they thought was the music to take the crowd to the next level.
This is what made the big difference.
There was never a soul format involved.
It was about rocking what your knack told you had the power to move a crowd.
They were tunes not often heard on the radio...yet classic as any classic could get and quite often quite long in their minutes. The Isleys "Get Into Something" ....James Browns "Give It Up Turn It Loose"........Miamis "Party Freaks" ...Traffics "Empty Pages" as well as the classic version of Chicagos "I'm A Man" a must to boogie down to......

Enter the Stage D.J. Kool Herc via Jamaica and his then sidekick the late Gregory Disco Wiz via the good ol' Bee Ex.
When they came upon the scene...it all changed. Jamaica being of Jamaican descent....already had a feeling of the party from his experience as a youth in Jamaica and co existing around the D.J. scene.Gregory worked in a record shop where he would often turn Jamaica on to tunes and or just play them when they rocked together.
Outside of Hercstypical rec room party....in the tradition of "Rock what you must"...and Gregs Bose system...they took to the stage...rocking at a Club that was then called Soulsville...which would eventually transform into The Hevelo which became a spot that showcased Hercs sound and his System and Crew (Coke La Rock, Timmy Tim, Mike Mike and Rock Machine Clark Kent) The Herculords.

Adapting a state of the art sound system and a knack for selecting outrageously party people addictive beats....
Herc came into his own and became the big thing in the Bronx.
Applying what he knew from his experience as a youth...echo chamber and microphone......his sound was the sound resounding throughout the boroughs.
One can say that the biggest breaking point was when he began to take two copies of the same record and continue the break in it's beat adding yet another facet to his particular style and sound of get down.
This indeed proved to be the point where everything changed.
With an incredible and incomparible sound system as well as a unique sound, slick microphone phrasing and rare beats that seemed to never end....
Kool Herc set the trend...example and the act for others to follow..thus minus an official title what became Known as Hip Hop was unofficially born as those who would come to be know as the catylsts and forefathers of it followed in his footsteps as innovat ors and primary keepers of it's flames such as Smokey and Dutchmaster.

With the emergence of D.J.s such as Grand Master Flash, Grand Wizzard Theodore, Afrika Bambaata....and the repetitive speak of the M.C. Microphone Master Of Ceremonies....Hip Hop molded itself into the massive market that it has become in this present day.
The chant"to the hip the hop the hibby dibby"...etc....of an M.C. known as Lovebug Starski....and many peoples unfamiliarity with this particular style of music....the name was eventually attached to the style and stage that was initially set by Kool Herc.
Many forget to mention that as it was in Jamaica many of the early M.C.s were inspired by the style of the radio jocks of their era....Like..Frankie Crocker...Jerry Bledsoe...Hank Spann, Bobby Jay, Gregory and of course Gary Bird...Who's songs such as "Every Brother Ain't A Brother" can be labled as "rap before the case of rap".
This is quite eveident in the vocal tonalities of Lovebug...Mele Mel and Keith Cowboy who are recognized as the primary M.C.s who brought a style of ongoing flow and repitition into the scene.

Don't get it confused..
Hip Hop has always been what those in it made it and tossed into it's arena...which one can see as a giant kettle with a somewhat basic recipie that has no definitive in respect to it's overall taste.
Take classic music and thow a Funky Rap flow over it and it "becomes" Hip Hop.
Yet Hip Hop was never limited to Rap ...which didn.t really exist before the atmosphere that Rap catered to did.
It's the music and the forum.....that creates it......an atmosphere where "anything" goes if you can convince your crowd of it.
I'm not one to say that this is the rule..but I'll stake claim that this is somewhat of the formula.
Rap is definitelyHip Hop...but Hip Hop isn't always Rap .
It's soul is imbedded in it's non constriction and non catorgorization of music to groove to.....as it's heart is all of the components that give it it's multi-faceted flavor.....

Maybe it's the other way around..... either way....it was never a matter of so called Pop...rock...soul..jazz, or black.
Just a matter of being bad......meaning good...and when one takes a step back...you will realize that with it's limits having no limits... it is an existence that any an all can connect with as well as a statement that has a power to connect us all not only musically but in the physical as it continues to be a force in globally connecting all races creeds and cultures .
As it is restructured and reinterpreted multi lingually the world over, it's saga continues to continue.
Hmmm...not bad at all....considering its origins and how it was never planned to be this way.
Thus.....for what it's worth...it's a quite incredible phenomenal occurance.....that many attempt to underplay..but proof exclaims cannot be ignored.

Hip Hop ...is life....and don't stop.....